

“Why were you covered in blood?” we hear a detective ask during the show’s stylized opening-an extravagant blend of slo-mo, flashing lights, and even a hand smearing blood across a glass pane outside the school pool, where the murder apparently went down. (A Dan Humphrey equivalent minus the droll sense of humor.) Rounding out the transplant trio are cocky troublemaker Christian (Miguel Herrán), whose pierced ears and buzzed hair bespeak his token bad boy status, and the poised Nadia (Mina El Hammani), a self-assured achiever.

Our hero lies in Samuel (Itzan Escamilla), an upright kid with the large, innocent eyes and bushy brows of a made-to-order high school heartthrob. The trouble all started when three new kids relocated to the fancy school on scholarship after their public school’s roof caved in. The series’s eight episodes follow an array of 16-year-olds who attend an exclusive private school called Las Encinas, where, we learn within the show’s first few moments, a grisly murder ultimately occurs.
#Spanish soap opera netflix series
Now, the timelessly tempting TV recipe has been put to work in suburban Spain with Elite, an alluring new Spanish-language series that dropped on Netflix this week. (local delinquent moves in with Jewish plutocrats!), and even found a much more creatively inspired (thanks to Jean-Marc Vallée) home in Monterey with the perfect soap opera pastiche Big Little Lies. It worked on the east coast with Gossip Girl(Brooklyn kids take the Upper East Side!), on the west with The O.C. When it comes to sexy, soapy teen melodramas, this is a foolproof formula for storytelling success. Enter the outsider-one (or a few) working-class kids who, the rich students fear, will jeopardize the delicate social architecture they’ve spent so long constructing.
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Wealthy teen assholes in prep school uniforms with flawless skin and immaculately coiffed hair. The early critical success of new Australian import The Newsreader, slipped into Sunday night’s BBC Two schedules, demonstrated the appetite among viewers for international shows.Stop me if you’ve heard this one before: a ritzy, high-achieving high school. The BBC can’t afford to get into a bidding war with the likes of Netflix so it has to be strategic in its investments. Netflix is spending £415m on new drama in South Korea alone this year, after the £17m it spent producing Squid Game last year paid huge dividends when the show became a global phenomenon. However, acquiring the best shows has become more challenging for the BBC now that streaming giants are pouring huge amounts of money into international productions. The BBC is scouring the globe for dramas that can both entertain audiences and help fill schedules as budget cuts bite. Netflix is spending £250m on new shows in Mexico alone, in an attempt to boost its subscriber base in the region. Amazon will unveil its first Latin American western series, The Head Of Joaquin Murrieta, produced by the Mexican arm of Dynamo, a Colombian company that made its name working with Netflix on Narcos.
